Based on the bestselling 2021 novel of the same name, director Marielle Heller (Can You Ever Forgive Me, TIFF ’21) has created a profoundly original exploration of motherhood and identity, destined to be one of the most talked-about films of the year.
Amy Adams plays Mother, a former city-dwelling artist and curator who chooses to stay home (now a suburban home) with her toddler son as her husband travels frequently for business. She loves her son deeply, but that does not prevent her from feeling isolated and exhausted. How did her life become a numbing grind of diaper changes and cutting bananas into little pieces?
Still unstrung from an extremely unsuccessful attempt to connect with other mothers at the library’s Baby Book Time, and unable to keep her emotions bottled up inside any longer, Mother begins to see and hear things in the night that beckon to her. Soon, something primal and feral rises up within her, allowing her to unleash — and return to — her inner power and identity.
Scoot McNairy plays Mother’s Husband, a relatable, sensitive man struggling with his own challenges around parenthood. But make no mistake, this is Adams’ film. It is her fearless, unselfconscious, and fiercely intelligent performance that makes Nightbitch such a memorable experience. Heller weaves drama, comedy, and significant elements of magic realism into an audacious and important film, examining those aspects of motherhood — both dark and darkly humorous — of which we rarely speak.
Content advisory: crude content, sexual content, coarse language
